
It's happening.
The occasional intrigue or accidental insight offered up by yours truly from the civic splendour of pleasant valley; more widely known as "My so called life in Ottawa". Will this winter never end? Here we go again...

"It was while working with her (Barbara Epstein, editor of NY


To those who began to doubt I'd ever return, I'm happy to report that the paper-making/chasing/shredding/filing/etc. madness has, for a time, subsided. It was a rather dense few months in the proverbial forest of a thousand pulped, pressed and bureaucratically processed trees, but I have now divested myself of a large burden of dead-wood and can once more see the light filtering through the dense foliage as the workplace fog thins and lifts. How's that for carrying a metaphor WAY too far?
And now I find myself in Toronto for a few days of mixed work and pleasure to contemplate the bigger picture that has come back into focus. More bloggerly activity is promised in the coming weeks as the gift of time is given back to this tired little lumberjack (now with 100% more beard).
You stand still for three days
for a piece of wisdom
and everything falls to the right place
don’t know whether
seraph or bitch
flutters at your heart
for cue cards
blazing in the sky.
The solution.
This last year I was sure
I was going to die
Michael Ondaatje, Secular Love
Some insightful words written by Thomas Merton, from his collection of essays Contemplation in a World of Action (p. 109-110):
“…man has a responsibility to find himself where he is, namely in his own proper time and in his place, in the history to which he belongs and to which he must inevitably contribute either his responses or his evasions, either truth and act or slogan and gesture. Even his gestures of evasion and withdrawal may unfortunately be decisive contributions to a void in which history can take on a demonic orientation.”
This morning I found a tidbit about Canada in the Guardian Unlimited's "Books/Review" section, and was more than a little stunned to learn of our waning cultural standing in the world in such a 'cyber-accidental' way. I'm not sure if this is the work of our new political masters, or if this was a quiet backroom decision by the last regime in its dying days, but either way it's proof positive that the government continues to discount the value of culture both at home and (especially now) abroad. Sigh...where is Sheila Copps when you need her??
I'm posting, unedited, a text a good friend forwarded to me this afternoon. It's from the website Living Compassion, and is a message I find deeply resonant especially at a time in our global reality when it seems nothing but chaos remains to be looked forward to in the years to come.
On the morning after the United States 2004 national elections, Cheri Huber sent these thoughts on peace to the worldwide email list of Living Compassion:
“It is time to reconcile all beings in the world.
Peace is no longer just a good idea, a dream without any real belief.
We can no longer hope that war and violence can defend and protect.
We must choose peace if we are to survive.
We must make a radical turn from the right, and a radical turn from the left.
We must make our way back to center. Not a political center, but the center of our being.
We must become a good friend to those who agree with us and those who do not.
We must invite everyone to the table; we must sit together, share, learn, listen, open our hearts, and, together, move to the place that is the most compassionate to all.”
That radical center, that center of our being, is a place that is not against anything. That is perhaps what is most radical about it. Many of us who are committed to peace, passionate about peace, activists for peace, conduct our quest for peace from a conviction that we are against an adversary, and we know who that adversary is. We wage war for peace, and peace eludes us.
St. Francis said, “Do not try to change the World. Change worlds.” He did not mean escape, write off the world and walk away. He spent most of his life walking into the world, talking with people, engaging them. He did not try to wrench the people or the world into some shape he was convinced they should take. Rather, he greeted all with “Pace e bene”: Peace and Good. He simply lived in a world in which he and everyone else belonged.
T.S. Eliot describes: “A condition of complete simplicity, costing not less than everything.” The radical center. The place lived from by Francis, by Clare, by Gandhi, by Martin Luther King, Jr. Costing us our identity, our righteousness, our separateness, our against-ness. Costing us all the mean victories.
Yet it creates a universe of possibility, generosity and freedom. A woman in

Things you have to believe to be a Republican today:
Karen Armstrong
Friday, March 31, 2006
Question 1: What do you think about “intelligent design”?
Answer: I think it is a red herring. Why does it matter who made the world? The way to live is to bless everybody. As for me, personally, I don’t share in any religious belief but, if it helps someone else to be kind, I think it’s okay. Be wary of strong opinions, be they religious or secular. They are egotistical.
Answer: No! Research is the good part, the best part, of writing a book. For me, it’s a kind of prayer.
Answer: ALL religions now have to adapt. The future must lie in a greater pluralism. The scriptures are abused today. We must think about how we use difficult scriptural texts, i.e., ones that glorify war. Christianity must be compassionate to survive. And don’t rely too much on our leaders to show the way!


Suddenly the night has grown colder.
The God of love preparing to depart.
Alexandra hoisted on his shoulder,
They slip between the sentries of the heart.
Upheld by the simplicities of pleasure,
They gain the light, they formlessly entwine;
And radiant beyond your widest measure
They fall among the voices and the wine.
It’s not a trick, your senses all deceiving,
A fitful dream, the morning will exhaust
Say goodbye to Alexandra leaving.
Then say goodbye to Alexandra lost.
Even though she sleeps upon your satin;
Even though she wakes you with a kiss.
Do not say the moment was imagined;
Do not stoop to strategies like this.
As someone long prepared for this to happen,
Go firmly to the window. drink it in.
Exquisite music. Alexandra laughing.
Your firm commitments tangible again.
And you who had the honor of her evening,
And by the honor had your own restored
Say goodbye to Alexandra leaving;
Alexandra leaving with her lord.
Even though she sleeps upon your satin;
Even though she wakes you with a kiss.
Do not say the moment was imagined;
Do not stoop to strategies like this.
As someone long prepared for the occasion;
In full command of every plan you wrecked
Do not choose a coward’s explanation
That hides behind the cause and the effect.
And you who were bewildered by a meaning;
Whose code was broken, crucifix uncrossed
Say goodbye to Alexandra leaving.
Then say goodbye to Alexandra lost.
Say goodbye to Alexandra leaving.
Then say goodbye to Alexandra lost.

I remain beyond stunned at the continuing outcry against, and simultaneous staunch defense of, the caricatures of the prophet Mohammed published across Europe, in
But, I'd like to share with anyone who cares to read this page, an interesting take on the matter by Timothy Comeau, the brainchild behind "goodreads" -- a topical email list serve -- who had these words to share on the matter:
Last week saw a lot of coverage in mainstream media about the protests over some stupid drawings. In the Saturday (11 Feb) Globe and Mail, the editor-in-chief Edward Greenspon argued that they weren't showing them because they didn't feel they added anything important to the story, while justifying the occasional photo of bombed bodies on Israeli buses. (In that case I'm thinking of a 2003 front page). He wrote:
'As one cartoonist said earlier this week, this is not a matter of self-censorship. It is a question of editing. Every day we are faced with similar decisions, particularly in choosing photos. Do we show a naked woman? Do we show a dead baby? Do we show bodies blown apart by a suicide bomber or other samples of the carnage that come our way regularly? Most often the answer is we do not. Only when we feel an offensive photo is absolutely necessary to the understanding of the story do we loosen our restraints.'
'This point makes no sense, given that a full understanding of protests about drawings should require that one see them for oneself. I could take the mainstream media's self-righteousness seriously if this were not the age of the internet and Google. You want to see 'em, go ahead and see them. The same goes for pictures of naked women (naked men aren't offensive?) dead babies, and carnage (orgish.com?). The media has used arguments of self-censorship and editing to draw us a picture of their own obsolesce.
I've been wondering about how many people have actually seen the images on the net. As that's part of what Goodreads is about, I almost sent the link a week ago but on the other hand, I didn't want to be part of the game of offending people. I've been wishing this story would just go away like they always do. Remember two years ago when Mel Gibson was supposedly an anti-semite?
Yet I can relate to being offended by images. In 2002 John Paul II came to Toronto for the World Youth Day and I went and saw him give Mass, since I grew up a Catholic and had seen his photograph at my grandmother's house for as long as I could remember, in addition to it being very popular in the area. There was a feeling of obligation, mixed with nostalgia I suppose. The night before the Mass, I went to an opening at Art System, the Ontario College of Art and Design student run gallery. Their show was about the Pope, and extended to Catholicism in general. As you can imagine, there were plenty of images of priests and popes sodomizing young boys. For one of the few times in my life, I was offended, but I knew where it was coming from (the rebellious young influenced by the scandals in the news) and having grown up in an open and tolerant society, felt no need to staple a placard to a stick and lead a protest, considering it was all just stupid and immature.
Now, one of the arguments with these Muhammed cartoons is that the editors of the newspaper should have known better. These Muslims are rioting and protesting because they feel insulted. I find it all kind of crazy that some people can get all upset over drawings, but as a visual artist I suppose I'm supposed to get all excited by the power of the medium and jump on the iconographic bandwagon, or get on the side of the cartoonists and talk about freedom of expression and denounce this iconoclasm. But I feel I have better things to do. The World has better things to do.
The editors of newspapers in
In this case, the cartoons violate Islam's prohibition against images, and especially the prohibition in depicting the Prophet. Worse, the arguments made against the images by Muslim spokespeople are that they stereotype Muslims as terrorists. The image by Claus Seidel seems aimed to offend by merely representing Muhammed, whereas the image by Erik Sorensen seems to be as juvenile and ignorant as the shit I saw that night at OCAD.
Further, I have a recent example of being offended by an image. And the image in question is that of an ad featuring Ann Coulter and Robert Novak, featured prominently next to the cartoons here. This webpage thus manages to offend not only Muslims, but secular liberals. And, when I ask myself, 'why do they keep protesting?' I'm reminded by Coulter, who recently referred to them as 'ragheads'.
The best explanation for what's happened over the past week (advanced by Rick Salutin and reported by Simon Tudiver in Maisonneuve's Mediascout) is that Muslims are pissed off for always being stereotyped and caricatured as terrorists, from these stupid cartoons to
Which should help remind us that all of these easy explanations cheapen us all, and I'm going to go back to wishing the world had something better to talk about (like poverty, aids, hunger, global warming, etc). The way the religious keep hijacking the agenda of human betterment seems to me the best advertisement for agnostic secularism, which is why I'm rather happy to live in a Canada, where that's pretty much the way it is, although we end watching the world's news for entertainment rather than dealing with our own social agenda. A week ago I wanted to send out the link to the Colbert Report video below, under the headline, 'why I'm glad I'm not American' but truth be told, inasmuch as it critiques the American economy, it's true here as well. This type of thing warrants a lot more discussion than drawings, or 'turncoat politicians'. - Timothy
---------------------------------------------------------------------
'Thank You' | The Colbert Report
http://www.crooksandliars.com/2006/02/04.html#a7008
Protesting the Cartoon Professor | Simon Tudvier
http://urlx.org/maisonneuve.org/896e
The Cartoons
http://www.humaneventsonline.com/sarticle.php?id=12146
Jyllands-Posten Muhammad cartoons controversy | Wikipedia
http://urlx.org/en.wikipedia.org/b352
Face of Muhammed
http://face-of-muhammed.blogspot.com/
A blog about the cartoons
And so it goes...and increasingly as I walk the peaceful streets of Pleasant Valley I wonder how much longer our bubble of peace will last. It seems an embarrassing richness to live life in such an easy way, without the fear that marks the lives of so many, and drives them to the extremism that has come to characterize Islam (and Christianity for that matter) across the globe as the rule not the exception.
But that is a false image, promoted by media more interested in firing the emotions than engaging the more sober (and difficult) intelligence. I've gone back to reading

On one of my regular searches through the alternative news-wires I stumbled upon this fantastic photograph, courtesy of today's NY Times. It's a publicity shot from the original production of Hair at the Public Theatre in New York (where else!?). It's also very much changed the mood of my day...